Wednesday, September 28, 2016
Make your plans now to attend the first concert by pianist Valentina Lisitsa in Silicon Valley. Here are details: Venue: De Anza College Visual & Performing Arts Center Address: 21250 Stevens Creek Blvd. Cupertino, CA 95014 Date: Saturday, October 15, 2016 at 8:00 PM City: Cupertino, CA Email: firstname.lastname@example.org Ticket Price Range: $45 to $60 Call for Tickets: 650-332-4978 PROGRAM: Beethoven Piano Sonata No. 23 in F minor, Op. 57, Appassionata Ravel “Gaspard de la nuit” (Trois poèmes pour piano d’après Aloysius Bertrand) Rachmaninoff Sonata no. 1 in D minor,op. 28 Mussorgsky Pictures at an Exhibition Here is Ms. Lisitsa, performing the third movement from Beethoven’s Moonlight Sonata:
This is a new CD by German violinist Arabella Steinbacher. “Fantasies, Rhapsodies and Daydreams” Massenet: Meditation (from Thaïs) Ravel: Tzigane Saint-Saëns: Havanaise, Op. 83 Introduction & Rondo capriccioso, Op. 28 Sarasate: Zigeunerweisen, Op. 20 Vaughan Williams: The Lark Ascending Waxman, F: Carmen Fantasy All performed by Arabella Steinbacher (violin), with Orchestre Philharmonique de Monte-Carlo, Lawrence Foster conducting. This collection is filled with great melodies from violinist Arabella Steinbacher in “Fantasies, Rhapsodies and Daydreams”. Excellent virtuoso playing, bravura passagework and lovely melodies are balanced with wistful lyricism and sublime tone painting in this irresistible program of perennial favorites, played by the violinist Arabella Steinbacher with the Orchestre Philharmonique de Monte-Carlo, conducted by Lawrence Foster. “Great violinists like Heifetz, Kreisler, Menuhin … played virtuosic pieces in their concerts,” recalled Steinbacher in a recent interview. She lamented that such pieces are infrequently played owing to the perception that “…this kind of repertoire is ‘not serious enough’ which I find is really a pity and also not true.” Here is Ms. Steinbacher, performing the Rondo from Beethoven’s Violin Concerto:
Musicians Against Gun Violence in America is holding a wave of events across the US on September 25 and classical musicians will be sounding off at the following locations. Go support them if you can. Cleveland, Ohio: At U.S. Bank Plaza in Playhouse Square, 12:30pm. Performers include musicians from the Cleveland Orchestra, from the Cleveland Orchestra Chorus, from the Cleveland Institute of Music, from Classical Revolution Cleveland, and from Quire Cleveland. (Below is a fuller list of performers.) The program features a mix of classical and popular numbers, many of which will be on the themes of peace and remembrance. The concert is hosted by Jeff Kurkjian, host of “The Jeff Show” on Q104, and Angela Mitchell, assistant producer for WCLV Classical 104.9. Both hosts also perform on the program. Mitchell is a board member of the Ohio Coalition Against Gun Violence and is organizing the event. Cleveland performers: Factory Seconds Brass Trio (made up of brass players from The Cleveland Orchestra) Singers from the Cleveland Orchestra Chorus Brett Mitchell (Associate Conductor of The Cleveland Orchestra) String quartet from the Cleveland Institute of Music Classical Revolution Cleveland (graduates of CIM) duo In2ative (graduates of CIM) Cleveland Cello Quartet (current and former students of CIM) Singers from Quire Cleveland Angela Mitchell (singer, radio personality, board member of Ohio Coalition Against Gun Violence) Jeff Kurkjian (host of “The Jeff Show” on Cleveland’s Q104) Danbury, Connecticut: At Danbury Music Center , presented by composer and Danbury native Paul Frucht in partnership with Sandy Hook Promise. The program, to be performed by recent graduates of the Juilliard School, will realize the mission of Sandy Hook Promise through music, featuring works by Jonathan Cziner, Miles Davis, Paul Frucht, Ives, Ravel and Vaughan Williams. Performers include: Katherine Lee Althen, flute Yuga Cohler, conductor Anastasia Dolak, violin Robert Fleitz, piano Molly Goldman, viola Isabel Hagen, viola Hannah Ji, violin Ben Laude, piano Emily Levin, harp Ariana Nelson, cello Andrew O’Donnell, clarinet Chelsea Starbuck Smith, violin Theo Van Dyck, trumpet Sebastian Zinca, double bass York, PA: hosted by Zion Lutheran Church and its Director of Music Ministries, Mark Mummert. Performers are 15 local professional vocalists (including 6 sopranos) and instrumentalists playing works by J.S. Bach, Vivaldi, Puccini, Copland, Bernstein, and Miranda’s Broadway musical “Hamilton”, among others. An offering will benefit Everytown for Gun Safety. Ann Arbor, Michigan (details still tba): featuring Louis Nagel, piano, and a performance of Beethoven’s Seventh Symphony conducted by Kevin Fitzgerald, who led Mozart’s Requiem at the Requiem for Orlando. UPDATE: We have been asked to clarify that Musicians Against Gun Violence in America is one of dozens of organizations banding together under the banner of the Concert Across America to End Gun Violence.
My own earliest experience of playing music for violin and cello goes back to the early 1950’s when I was a member of an orchestra that performed the Brahms Double Concerto. I learned to thoroughly love that piece. Now we have a new recording of music for these two instruments by several other composers: Halvorsen: Passacaglia for Violin & Cello/Viola (after Handel) Kodály: Duo for Violin and Cello, Op. 7 Ravel: Sonata for Violin & Cello Schulhoff: Duo for violin & cello All performed by Julia Fischer (violin) and Daniel Müller-Schott (cello) The works heard in this program were written surprisingly late: Kodály 1914; Ravel 1922; Schulhoff 1925. Although these three works can scarcely be regarded as avant-garde for their time, at least where their tonality is concerned, a new spirit is in the air: a freely ranging search on all levels for new forms and means of expression, coupled with a love of experimentation with extremely sparse scoring. It is also noteworthy that all three works succeed in their own way in reflecting a national character in their musical idiom. Ravel offers typical trompe-l’oreille subtlety while retaining immaculately groomed French elegance; Kodály writes against a background of ethnological research in folk music; Schulhoff stands out for the way he experiments with complex combinations of rhythms. However, the pioneering work in a distinctive violin-cello repertoire was surely written a generation earlier: Brahms’ concerto for this ‘eight-stringed giant’ of 1887. It was a performance of his work that brought Julia Fischer and Daniel Müller-Schott together on the concert platform for the first time. In fact, both artists wish this CD release to represent a record of their work together as a duo over the past ten years and more, as the pair explain in an extended conversation with Meret Forster printed in the accompanying booklet. It is already the case that performances of the Brahms Double Concerto by Fischer and Müller-Schott now almost inevitably lead the audience to expect the immortal Handel-Halvorsen Passacaglia of 1894 – a demand that is gladly met. This congenial enlargement by the Norwegian violinist and composer Johan Halvorsen (1864-1935) of a passacaglia from a Handel suite for harpsichord exists in various pairings of violin, viola and cello. It accentuates the infectious vigour of the original in a remarkably clever manner by its highly challenging but idiomatic transposition to two quite differently characterized and mutually supportive instruments. The Guardian wrote in July,,2016: “they play [the Ravel and the Kodály] with such energy, engagement and virtuoso precision that there’s never any hint of overfamiliarity; in both works, every detail of the extremely demanding string writing is carefully etched, and captured with tingling immediacy in the recording.” Here are the performers in the Passacaglia by Johann Halvorsen:
Susanna Mälkki starts work at the Helsinki Philharmonic tomorrow. Here’s her opening programme: GYÖRGY LIGETI Atmospheres MAURICE RAVEL Shéhérazade KAIJA SAARIAHO Asteroid 4179: Toutatis JEAN SIBELIUS Canzonetta (arr. Stravinsky) MAGNUS LINDBERG Parada MAURICE RAVEL La Valse The only Sibelius is a Stravinsky arrangement, and there will be no more of him this season. Next week, Susanna conducts Boulez, Maresz and Berlioz. Over the next couple of months there will be Messiaen, Dutilleux, Debussy, Murail, Ravel. It’s a complete refresher course for Finnish ears. Which man would take such risks in the first season of his first music directorship?
Royal Albert Hall, London Finely judged Ravel shone alongside vivid works by South American composers in a Prom that highlighted the orchestra’s fluid excellenceIn 2011 the Simón Bolívar Orchestra dropped the word “youth” from its name, and the playing has indeed matured alongside its players. Under chief conductor Gustavo Dudamel, the best of its performances here reached a world-class standard of organic coherence and tonal excellence.They began with a work by Venezuelan composer and founding member of the orchestra, Paul Desenne. His Hipnosis Mariposa is a lightweight trifle written in memory of one of Venezuela’s popular composers, Simón Díaz, who died in 2014 and whose song La vaca Mariposa (A Cow Named Butterfly) forms the thematic basis of a piece that demonstrated the ensemble’s delicacy and fluent unanimity. Continue reading...
Maurice Ravel (March 7, 1875 December 28, 1937) was a French composer of Impressionist music known especially for his melodies, orchestral and instrumental textures and effects. Much of his piano music, chamber music, vocal music and orchestral music has entered the standard concert repertoire. Ravel's piano compositions, such as Jeux d'eau, Miroirs, Le tombeau de Couperin and Gaspard de la nuit, demand considerable virtuosity from the performer, and his orchestral music, including Daphnis et Chloé and his arrangement of Modest Mussorgsky's Pictures at an Exhibition, uses a variety of sound and instrumentation. Ravel is perhaps known best for his orchestral work Boléro (1928), which he considered trivial and once described as "a piece for orchestra without music."
Great composers of classical music